By Blair Kilpatrick
Through age thirty-nine, Blair Kilpatrick had settled into lifestyles as a working towards psychologist, spouse, and mom. Then an opportunity come across in New Orleans grew to become her global the wrong way up. She again domestic to Chicago with not likely new passions for Cajun song and its defining device, the accordion. Captivated by means of habitual goals of enjoying the Cajun accordion, she got down to grasp it. but she used to be no longer a musician, was once too self-conscious to bop, and did not even sing within the bathe. Kilpatrick's obsession took her from Chicago's Cajun dance scene to a folks tune camp in West Virginia, backward and forward to south Louisiana, or even to a Cajun competition in France. An unforeseen family members circulate introduced her to the San Francisco Bay sector, domestic to the most important Cajun-zydeco track scene outdoors the Gulf Coast. There she turned a prot?g? of popular accordionist Danny Poullard, a Louisiana-born Creole and the guiding spirit of the neighborhood Louisiana French song neighborhood. enticing, uplifting, and illuminating a special patch of the yankee cultural panorama, Accordion desires is Kilpatrick's account of the potential of ardour, risk-taking, and change--at any age. Blair Kilpatrick has an self sustaining perform in psychotherapy within the San Francisco Bay sector. She additionally plays and documents with Sauce Piquante, a conventional Cajun-Creole band she based within the overdue Nineties. examine extra at www.blairkilpatrick.com
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Extra info for Accordion Dreams: A Journey into Cajun and Creole Music
I hoped we were fitting in— especially one night, when I realized some of the other dancers were keeping a close eye on us. Steve and I straightened to attention, checking to make sure we maintained the squared-off stance we’d learned in those dance lessons he’d taken so reluctantly. My left hand on his shoulder, my right hand held aloft in his. His stance a mirror image of mine, except for his right hand resting on my waist. Enough tension in my arms to give him something to work against. “Pretend you are hugging a tree trunk,” the dance teacher in Chicago had suggested.
I should have known. But the men at the bar seemed concerned about our plight. They conferred back and forth. ” A phone appeared from behind the bar, and one of the men made a couple of calls. I felt touched by the flurry of activity—and surprised. It turned out somebody knew about a new place—actually, an old place that had just reopened, called the Blue Goose. It used to be a rowdy venue, with chicken wire to protect the musicians and card games going on in the back room. When we walked in, the newly renovated club smelled like fresh wood and could have passed for a country-style bed and breakfast.
Others offered replies that didn’t make sense. One man said: “I can order you the real thing, a handmade Cajun accordion from Louisiana. ” I didn’t listen to him. Eventually, I tried Walles Music, a store on Chicago’s far West 26 Beginnings Side. “Yes, we have what you’re looking for,” said the voice over the phone. ” Finally— someone who knew what I was talking about. And the price was right. No point in investing too much money in an instrument I might never learn to play. Steve and I set out for Walles Music one Saturday when the boys were visiting my parents.
Accordion Dreams: A Journey into Cajun and Creole Music by Blair Kilpatrick