By George Mills Harper, Walter Kelly Hood (eds.)
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Extra info for A Critical Edition of Yeats’s a Vision (1925)
14 Yeats was no doubt aware that both Horton and Lady Lyttelton were recalling the myth of the black and white horses from Plato'sPhaedrus (sees. 255--6). Lady Lyttelton copied Horton's note and returned it. 15 LWBY 296-7. 16 The AS contains little capitalization and punctuation, which I have supplied only when it seems necessary for clarity. 17 Mrs Yeats is said to have told someone that she had destroyed part of the AS. Because she was so careful to preserve almost every scrap of Yeats's work, I remain skeptical.
There was no further Script until4 Mar, when a convocation of six Controls and Editorial Introduction XXXV Guides gathered to counsel and direct. Speaking for the first time of 'the. book', they informed Yeats that they were not pleased because you talk too freely of spirits & of initiation . . You may speak of the actual system but you may not tell of any personal thought, image, or information we give nor of the forms & processes we give for your own contemplation nor of such demand & restrictions as we make nor of the life we demand that you should live.
Because he needed much more information, however, we may be relatively sure that he did not return to composition for some time, perhaps several months. S. ' Despite that note he dated only three of the Books: I ('Finished at Thoor, Ballylee, 1922, in a time of Civil War'), III ('Finished at Capri, February, 1925'), and IV ('Finished at Syracuse, January, 1925'). Besides two of the poems, he also dated the Dedicati
A Critical Edition of Yeats’s a Vision (1925) by George Mills Harper, Walter Kelly Hood (eds.)